LADY KILLER: JOËLLE JONES’ NEW PROJECT FINDS THE HAPPY MEDIUM BETWEEN HOMEMAKING AND HOMICIDE
By Andy Khouri
Some of the stories Americans love most are those that put the lie to our prevailing visions of ourselves. The work of David Lynch, who peels back the the saccharine layers of suburbia to reveal unspeakable horrors within; Mad Men, with its systematic deconstruction of everything we think we believe about success in this country; and Breaking Bad, which shows us how even the most seemingly wholesome members of society can be monsters waiting to break free.
If you think all that sounds well and good but probably a little too stuffy, Josie Schuller would probably agree with you. Josie is a young housewife living post-war America. She sells makeup door-to-door, she takes care of her twin kids and the family dog, she makes dinner for her husband, and she suffers her endlessly disapproving mother-in-law. That is, when she’s not murdering people in astonishingly violent ways.
Josie’s a highly trained assassin, and the paradox that is her life comes courtesy of cartoonist Joélle Jones and co-writer Jamie S. Rich, whose new Dark Horse series Lady Killer invites readers into a weirdly alluring story that follows a grand tradition of subverting Americana, but with a uniquely wicked, black comedy twist and what Josie might even say is a woman’s touch.